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Cross-Curricular Egg Dancing

Posted on Sep 3rd, 2008 by Dryad : Coming Home Dryad

WHEN I WOKE UP FROM HAVING SLEEPING-BIRTHDAY-SICKNESS, I found that my little Gaia Daughter Elisa (I don't know how old she is today. Three? It changes) was making me a surprise Birthday Cake!  She had an accident with the eggs.

Whoopsters

Which prompted me to say . . . .
OH! I just woke up and wandered in the kitchen. Oh. My!! ELISA!!


.................................................................................................. What lovely designs you made!

I've always had this idea that just about everything is an opportunity for teaching. This is called by some people "S
pontaneous Cross-Curricular Teaching" and by others a pain in the behind. The pain part often came from teachers in other classes who were trying to teach the three R's to five year olds sitting in desks in rows with their workbooks open and did not care for my class suddenly crawling around the playground watching earth worm and moving like them, laying on their backs looking at the clouds or blowing bubbles on the floor with straws because the huge container of dish soap spilled on the floor.

This was reported to me by the mother of one of my students who was helping out in her older child's classroom. I went out to bring the kids in from recess and found that there was a tropically warm Chinook wind blowing over the playground which had been glacier for the last several months. (I better write a Blog about Chinook's . . . later)

The children had pulled their hats and mittens off, some of them had taken off their coats and they were in this warm, warm wind laughing, squealing, running, giggling and dancing like spring had suddenly arrived -  come up through the frozen earth and run up their little legs like the green sap coming up a willow tree. I really expected to see them start sprouting leaves.

Back in the classroom I had a book I was going to read them and an art activity planned. I bagged them both in about 30 seconds, asked the Playground supervisor to please wait just five more minutes and ran back to the classroom for my big sack of scarves. I knew I didn't have a cord long enough to  get the record player outside (yes folks. LP's. The "Vinyl" that my son so covets now.) I got my keys, pulled my car over from one parking lot to the other, put in an 8-track of Vivaldi's Four Seasons, opened all four doors of the car and cranked the stereo up to warp whatever. (I don't think anyone covets 8 tracks even as ancient artifacts.)

The Playground Supervisor was a basketball player from the University, I gave him a scarf too and . . . we danced.  It is a slice of transcendental beauty in my heart, if no where else, as sweet and green as that warm Chinook wind coming down from Mount Logan like a blessing.

The parent who was in the classroom of her older child told me the teacher walked over to the window, made a very high pitched sound of derision and commented, loudly, "She is OUT of her MIND! Somebody ought to catch her and lock her up!"

My favorite part was the "somebody ought to catch her." She probably knew perfectly well that I was the Gingerbread Man.

SO. When I found Elisa's wonderful egg-scape, I started to write a comment and an entire Spontaneous Cross-Curricular Movement Activity poured out of my fingers instead. So I said to myself. "Self. I'm not sure I know how to "Blog." That's another story, but I guess I'll stick this on the Blog, since here it is and . . . it is  here.

At that point in time I was joined by a number of Conceptual Companions and a lot of Faeries (some you might recognize.) A Conceptual Companion - if you don't know - is someone who comes to play who is . . . conceptual. I don't think it is polite to call people 'Imaginary', it sounds like there is something wispy about them or something.

So . . . I just gave my lesson to those C.C's and Faeries and we had a lovely time Egg Dancing. I definitely recommend it for all kind of doldrums, ho-hums and yawns. I suspect at this point that several people reading this are agreeing with the teacher who thought I ought to be locked up. It just may be true, I suppose.

If they think they can catch me, they are certainly welcome to try.
gingerbread-me

I got to the cake making party at Elisa's late because I got Sleeping-Birthday-Sickness, but it is better now and luckily I brought the TIME SWARMER. So I Swarmed back to the beginning and we had the whole egg dance BEFORE they made the cake/clay/bricks which happened yesterday, but don’t get hung up on that, LINER TIME IS A MYTH.

HERE IT COMES!......................................
Quickly now pumpkins!  Take off your shoes and CAREFULLY smash up the eggs that aren't smashed up. You have to be careful, egg shells can be sharp, but what does it feel like to step on an egg? This is a yolk-golden opportunity to find out. Also a GREAT OPPORTUNITY TO EGG DANCE!!

HAVE YOU EVER SMASHED AN EGG WITH YOUR TOES?  I'd tell you about it but I think you should experience it. Find a yolk that is still all together and try to pick it up with your toes. You’ve got to try it and then you can use it as a metaphor . . . “The situation was sticker than trying to pick up an egg yolk with your toes.” But you don’t get to use the metaphor if you never really tried to pick an egg yolk up with your toes. That would be a good line for a story about a HARD BOILED Detective.

After you've had fun smashing the eggs, then you can dance in the sticky egg goo. That is quite a good floor for egg dancing, actually. Be very careful because, you know, it will be very slick and the slickness will be different as you go. That is something to NOTICE. Are the white parts slideyer or the yolk parts? What happens as the dance goes on?

The picture you started with was beautiful. After dancing get your camera and search out other pictures in the slid-upon-eggs. AND you can do art about what the whole experience FELT like! Remember when you are doing this kind of art, it doesn’t need to look like what you saw, you want to paint or draw or clay or whatever about how it felt.  Lets put eggs in the tempera paints at the easel! Did you know that famous artists used eggs in their paint?! Where can we find out more about that?

http://www.eggtempera.com/paint.html
http://en.wikipedia.org/wiki/Tempera
http://www.alessandrakelley.com/mixpaint.html
http://www.elfwood.com/farp/egg/egg.html

(Wow. One of my favorite “Teaching Questions” has turned out to be kind of dumb. Where can we find out more about that? Dah.)

Remember your picture will be ABOUT the Egg Dance, not a picture OF the Egg Dance. What did it feel like to your toes? Your nose? When it got on your clothes? What movements did your body want to make the most when you were on the eggs? Sing out all the Body Moves you remember making! What Body Parts did you use the most? Did your fingers get to dance or did your toes have all the fun? Did you really want to put your fingers in the goosh or did you not want to?  What did the egg feel like when it was wet? Is that feeling really “wet?” Do you think? What word would you use to express it’s feel? Together lets see if we can get five. Ten! What did it feel like when it started to dry? Is the “egg white” really white? Is the egg yolk really yolk? Why is there an “L” in the word Yolk?! What about the egg shell? Did your toes get poked by any sharp egg shells? Sometimes people say “Walking on Egg Shells” . . . what do you think that means?  How could we use the egg shells in our paintings? Could you have found a pathway through the eggs without stepping on them When you started?  What kind of pathway is there now? What are some ways you could go over an egg and NOT step on it? Now think of a way no one else did. Now think of a way no one ever thought of to get over an egg before in the whole history of human’s going over eggs. What will you name your dance? If you wrote a book about eggs what would you name it? If you found an egg in your pocket, what would you name it? What if you had an egg in each pocket and one was hard boiled and one was raw? What would you do then?

Design the face that you will put on the hard boiled eggs that we will make tomorrow!  Also to think about until tomorrow: Why does dye stick to egg shells? What happens when you use wax or crayons?  What other ways could you decorate eggs? Is there a way to tell a boiled egg from a raw egg?

Now we are going to do our Fast Rhyme. The Conceptual Companions will have to help me do it and show it to the Gaia Friends tomorrow. OK. Sit square and get ready to think. Here come the rhymes, faster than a wink:

Stepping on eggs is very nice
I wouldn’t trade it for any price
The yolks go SQUISH
And the whites go SBLLOOOP
Some people like to put eggs in soup
I like eggs scrambled in a bowl
I like them boiled so that they will roll
I like to dye them in colors bright
And leave them for the Easter Bunny in the night
Did you think that Bunnies lay eggs
When you were very little and had short legs?
Did you think chocolate hens lay eggs of candy?
That kind of hen would come in handy!
I wish I had some hen’s in my power
Who would lay gummy worms, sweet and sour.
But that is backwards and Inside out!
It’s hen’s who eat worms, and chase them about
Those worms are NOT sour and sweet
And I don’t think I want any of those to eat!

Terrific Pacific!
We are so prolific!
At thinking up rhymes to be specific!
Yeah, us! Yeah, us!  We are Rhymers
And We Rhyme Thus!

chair**********hair
door**********floor
book********* look

Someone calls out the first word, then you clap the dots and someone else needs to be ready with a rhyme on the next count. Start with ten claps. As you get better you can take the number of dots down.

Remember THE CRUSADE: RHYMES FOR ALL!! There are words in the English language that have no rhymes. No one should be left without a rhyme! the RHYMES FOR ALL CRUSADE is all about inventing words so that every word has at least one rhyme . . . without having to resort to assonance or horrific stretching rhymes such as are sometimes found in Country-Western songs. No offense to any Country-Western fans, but . . . it’s true.
So . . .
Rhyme-less words? We won’t admit it!
If there isn’t an English word to fit it,
We’ll commit COINAGE( the way the Bard did commit it!)
A rhyme for every word!
For every word a rhyme!
Every word should have a rhyme every time!

Here are some of my favorite words, they happen to rhyme. I love the way they feel in my mouth. Do you ever think about how a word feels in your mouth? Like Moon. Say it out loud. Moooon.  Here are mine: Cello. Mellow. Yellow.  I used to play the cello. It is like dancing with an instrument instead of just playing it and sometimes you can feel the music all the way to your back bone.

This is one of my favorite songs in the world. When I was in college I danced to it in front of a big screen that had moving pictures of autumn leaves on it. I was just a black shadow against the colors of the leaves and I was covered with their color.  Maybe I love this song because I think I own September . . . maybe it is just because it is beautiful and mellow . . . so follow . . .

Try to remember

Thank you little Elisa and Peri and abundantlife and Samme and crudebliss and floyd lucious maxwell the 3rd who came to my class (after I swarmed backwards) and thank you to all the Faeries and C.C.'s (especially Julian)

P.S.  I ran into floyd lucious maxwell the 2nd when I was away in Evermore. He sends his greetings and a snootfull of sherbet.

This is my Egg Dancing Painting.  You can make one too!

Do you think they would make me not egg dance these days  because of Salmonella? Bummers. Nothing splats just the same way as a real egg.

Egg Dance


 




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ARE THERE NO ONIONS IN PARIS?!?

Posted on Sep 3rd, 2008 by Dryad : Coming Home Dryad
Pleiades-myth

ARE THERE NO ONIONS IN PARIS?!

Gracious Goodness!  and all other alliterative ecphonesis turned inside out! I am about to post the second Blog in one day. The one this morning was enjoyable to do. This one is necessary. You see, I have done something tremendously treacherous and I must try, somehow, to redeem myself.

I didn’t really do it on purpose, it was more a matter of last minute showmanship. A bit of unnecessary slapdash upon the title line of a message to an unsuspecting and trusting soul.

I sent a message to Micky D. and headlined it “Liver and Onions” when in truth, the entire message was about liver; cow’s, calf’s, David Crosby’s X3, mine . . . There, in truth, was nothing in the entire message having anything to do with onions. I admit it. I was showboating the subject line. I went and whetted poor Micky’s apatite for ascalonicum with, evidently, no way to sate, satiate, surfeit or otherwise save himself from ONION HUNGER. It’s drastic. The poor man is threatening to: “wranting & wraving & gnashing my teeth, in Irascible ire, unless you provide the onions, I may even seethe & froth at the mouth a little( for extra dramatic effect.) Dramatic, INDEED.

I immediately ran to the garden and began digging frantically, plucking the paper skinned wonders from the good black Oregon earth where they grow so fat and fine. When I had a respectable satchel, I hied quickly for the highway and began desperately trying to flag down an airplane bound for Paris. It’s odd. Not a one has stopped.  I must admit that I even resorted to drastic measures in an effort to save my friend.

SAVE MICKEY!


And I do mean DRASTIC. Do you have any IDEA what a horrific cliché this is?! Disgusting! But I hate to think of a grown man crying. (ouch.)

I’m going back to the highway Micky . . . somehow, someway I will get on a plane for Paris with my sack of succulent sustenance and I will save you! Somehow.

In the meanwhile, let me try a little remedy that I think they use on me. If we can’t make it better, lets make it worse and see if you don’t bounce out of it . . . or something. My own files yielded three (COUNT THEM! 3!) Pieces regarding the spicy snack. I’ve even got paintings!  YES! Honestly, I know it is hard to believe, but I have done a painting of onions. Perhaps it will see the Mickster through until I make it to Paris with my reeking remedy.

To use this first piece, I am going to have to ~ regretfully ~ introduce you to one of my . . . less elegant alter-ego’s. This is a pen name. I hesitate to call him a 'nom de plume' which sometimes is "Literary Double." Old Foister is about a Quadruple-By-Pass rather than a double. He certainly isn't the one I would choose to be my "double."  Still, if you know me, you know that none of my pen names exist in a vacuum; they have to have a personality. This one is *quite* a personality. It is with a surplus of superfluity and a excess of embarrassment that I introduce you to

Himself
the Lord of Misrule
Ace of Anarchy
Duke of Disorder

~ Foister Von Ripster ~

This particular poem was penned by Von Ripster on an occasion that was almost the antiphrasis of Mickey’s. A fellow Bard by the name of Dilyn detests onions. This was caused by working his way through college at Pizza Hut. For the first two years all they would let him do was cut onions. And cut onions. And cut onions. Dilyn no longer cares for onions. Foister ~ being Foister ~ likes to take any occasion to torment anyone particularly if he can do it with words. Below we have him doing just that. As the subject became “The Dreaded O” the Bards all seemed to lose every scrap of ethics and propriety; soon puns were flying fast, loose and . . .vile.


The Dreaded "O"
Onion’s Progress

~ Foister Von Ripster ~

For Friend Dilyn
May You Never Be Without That
Rotund Rascal You Love So!
{ Would That Be The Dreaded Onion, or I?}

Such a small thing, full of layers
To turn us all to vile players
Oh! The punsters we’ve become
Because of Ascalonicum!!
Poor Dilyn’s nightmarish fears
From a haunting vale of tears
Soon we’ll hear the poor man screaming
Chopping ‘til his eyes are streaming
Gashing, slashing, cleave and cut
Foul memories of Pizza Hut!

And Bards who once were all so chic
Now laugh until they start to leek
Poor fellow must be so distraught
They all have gone eschalot!
Wicked night-mare’s turned to stallions
Distinguished Bards are now rap-scallions

Vidalia, Bermuda, Italian red
Like a noxious wind, the scourge is spread
The evil of this baneful fruit
Goes all the way down to the root!
Save your eyes from scent that stings
Just say ‘NO!” to onion rings!
Like a warning tale from old John Bunyan
Damnation, hell . . . the cursed ONION!

ONION


The following story was my way of trying to repent for my alter ego’s nastiness. I know. I know.  It gets confusing. Don’t worry about it, just read the story. It is for Dilyn and for all the “middle children” out there, who like me, sometimes just go through the cracks.
And especially for Mickey . . .

 M*I*C*K*E*Y*         O*N*I*O*N*

Sing with me boys and girls . . . Micky Onion, Mickey Onion, Forever let us hold our Banners High! High! High! HIGH!
M*I*C*..........................See you REAL soon!
K*E*Y*.........................Y? 'Cause I've got ONIONS!
O*N*I*O*N*

Hang on Mickey! One of these Airplanes has GOT to stop soon! . . . . Meanwhile . . .

A Story about Stars . . .


A Story of the Pleiades


~ The Legend of the Pleiades ~


Once Upon a Time in a land that was far, far away . . . just how faraway was this land? Well, it was further away than the corner, but not as faraway as forever. It was as distant as tomorrow, but not quite as remote as later. In this land, which lay beyond the tall blue mountains, but not behind the clouds, there lived seven sisters.

These sisters were named, Ona, Oneida, Oni, Ondrea, Onella, Onora, and Onyekachukwu. Ona was the oldest, the most practical and pragmatic. She was the best at problem solving and figuring things out. Onyekachukwu was the youngest. She was flighty and frivolous, given to giggling and telling off-color jokes that made everyone laugh. Oneida had the voice of a lark, Oni painted marvelous pictures, Onella had read all the books in the library, Onora knew everything there was to know about numbers Ondrea fell right smack dab in the middle. She was the best at . . . well come to think of it, no one really knew what Ondrea might be good at. People often forgot that Ondrea was there at all. If Ondrea had suddenly gone missing and they had counted themselves and only found six, they would have spent several puzzled moments feeling very blank because the missing name just would not appear in their heads. What did she look like after all? What color did she wear? It was hard to remember.

The answer was red. Each one of the sisters wore a different color. Their parents had thought this up as a good way to tell them apart. It would have been too, if they hadn’t kept forgetting which child they had assigned to which color. I will tell you, though you probably won’t remember either. Ona wore green, Oneida wore turquoise, Oni was always seen in yellow, Onella in pink, Onora in purple and laughing, giddy Onyekachukwu always wore orange.

Did you notice that Ondrea was missing? No one else ever did either.

Now, the most notable thing about these seven sisters, and, indeed, the point of this story, was that these seven sisters loved nothing in the world so much as onions. This enjoyment of onions was not just a preference, it was a passion; it went far beyond just a fondness or fancy and was closer to a madness or mania; an obsession that many people felt was slightly unbalanced. These seven sisters LOVED onions.

They loved green onions, red onions, purple onions, yellow onions and white onions. They loved Vidalias, Bermudas, Carzalias, Nu-Mex, Imperial, Maui, Hawaiian Hula and especially Walla Walla Sweets. These sisters loved onion soup, onion salad, onion quiche, onion sandwiches, onion rings, caramelized onions, grilled onions, barbecued onions, raw onions and everything in between. It is said that they even made onion margarita’s, but to ask you to believe that would be stretching your incredulity a bit farther than incredulity ought to stretch. It is quite true, however, that they were all fond of Gibsons.

They loved to listen to the Beatles White Album just to hear “Glass Onion” and they realized that onions had prescient powers.

"Onion skins very thin,
Mild winter coming in.
Onion skins very tough,
Coming winter very rough."

These sisters knew full well that the ancient Egyptians actually worshiped the onion, that the shape of the onion symbolized eternity to the Egyptians who buried onions along with their Pharaohs. The Egyptians saw eternal life in the anatomy of the onion because of its circle-within-a-circle structure. Paintings of onions appear on the inner walls of the pyramids and in the tombs of both the Old Kingdom and the New Kingdom. The onion is mentioned as a funeral offering and onions are depicted on the banquet tables of the great feasts. Onions were always shown upon the altars of the Egyptian gods. I’m not going to go as far as saying that these seven sisters actually worshiped onions themselves, but there were suspicious onion shaped Objects d'Art all around their house.

The greatest dream of all of these sisters was to someday become the Payson Onion Queen and rein over the Golden Onion Days. None of them ever realized this dream, however, because Far, Far Away was just too far away from Payson. Still, in due time, as the years went by, each of these seven sisters fell in love and was married. They each walked down the aisle to the sounds of Booker T and the MG’s singing “Green Onions” carrying a bouquet of those same long steamed
Green Onions. One by one, they left their parents home to set up house keeping, taking with them their onion statues, framed portraits of famous onions and samplers that they had cross stitched with such messages as:

"I will not move my army without onions!"
~ Ulysses S. Grant ~

"Life is like an onion.
You peel it off one layer at a time;
And sometimes you weep."
~ Carl Sandburg ~

"Mine eyes smell onions: I shall weep anon."
~ William Shakespeare ~

"If you hear an onion ring, answer it."
~ Anonymous ~

They also took all their favorite recipes. There was one thing that could always be said with great truth and gusto: the Onion sisters were good cooks. Each husband counted himself lucky and smiled upon by good fortune. At the beginning.

As the years went on, however, it became evident that the sisters passion for onions was not waning or weakening, but only growing stronger. All of their husbands began, in subtle ways, to become restless and discontented. They initially claimed that it had to do with being sick and tired of every meal they were served being full to brimming with onions.

They also let it be known, through insidiously dropped hints, that their unhappiness had to do with . . . well, we might as well come right out and say it: olfactory offenses. They slyly spread the rumor far and wide that they were all suffering and sad because of smells.

The sisters, of course, knew that this was piffle and poppycock; trash and twaddle; bilge, blather and balderdash. Though it was a closely guarded secret, each of these seven sisters was the possessor of the deep, hidden mystery of the Knife’s Templar. This clandestine key is known to few on earth now, but these seven sisters were all initiates of this secret sect and recipients of it’s shrouded alchemical knowledge.

You all know the story. It is told that once Woman had the unmitigated gall to assume she could handle Knowledge. Accordingly, she took a whomping big bite right out of the Onion of Knowledge. Of course she was eternally punished for her presumptuousness. She was immediately expelled from the Garden of Onion. A Great Voice was heard to speak, saying: “With weeping will she chop now. In sorrow and flowing tears, will woman bring forth the onion.”

Everyone knows this story, but not everyone knows the secret story which tells how the alchemy of tears can be altered, the vale of weeping averted, the tale that tells how an onion can be chopped without it’s sulfuric compounds being released into the air. This is hidden knowledge. This is the mystery.

This mystery, along with a specific ritual, was gifted to mankind soon after the dawn of time by Raptor Spirit, the Great Papa Falcon. It had been handed down in secret for generations upon generations. I will tell you the mystery and the secret ritual, though it’s possible I may have to kill you afterward.

The first part of the mystery is held in three words. These secret words are accomplished as the first feat. In beginning, the initiate holds The Orb toward the moon and chants these words: “Chill. The. Onion.” The initiate then does exactly this, under cover of night.

After secretly accomplishing the first feat, the second feat is begun. The initiate performing the ritual holds a knife up sidewards and lifting it carefully against their nose in salute, chants the second part of the mystery. “Never. Cut. The. Root. End!”

Firmly grasping the onion, the initiate slices slice off the tip opposite from the root end. They then slice the side of the next layer and peel back to form a handle over the root stub.

By using this ritual and remembering the mystery, the sulfuric compounds are held in check, though Knowledge be attained, the initiate will not be overcome with tears. Thank you, Oh Ancient Falcon, whose spirit still flies the skies of the Over World.

And, as for the contemptible innuendo that these husbands were discomforted, confound or chagrined because of onion breath, well that is simply stuff and nonsense. All of these sisters had grown up knowing the secret of dispelling onion breath. It wasn’t something that they broadcast far and wide, but certainly they didn’t eat all that parsley just to turn their teeth green.

No, the sad truth, in the end, was that all seven husbands were jealous. None of them would ever have admitted that they were stabbed to the heart by envy when they saw the way their wives looked upon an onion, but that, in the end, was the truth.

What happened was not meant to happen. The final outcome was not what they had planned. None of them really wanted to lose their wives, they merely wanted what husbands have wanted from time immortal: They wanted exactly what they wanted, exactly the way they wanted it, exactly when they wanted it. And what they wanted, in this case, was for their wives to give up onions. That was what was behind it all. All seven husbands really believed that their wives would come home repentant, remorseful, regretful and without onion. They expected their wives to be so penitent that none of them would ever think about another onion, touch another onion, or smile that special smile at another onion . . .

They planned it together and all struck at once. The sisters had been at their parents home celebrating their mother’s birthday. (Onions really add a whole new dimension to the concept of a Layer Cake.) At the end of the evening, when each sister arrived at her own front door, she found that front door locked. All of the locks had been changed. Each of them found a note bearing slightly differing wordings of “I’ve had it with you and your onions. Don’t come back.”

The youngest husband, married to Onyekachukwu, the youngest sister, had written “Get out and stay there!” Onyekachukwu, in her orange party dress, squinted at the note. “What a dork,” she muttered, “I already AM out.”

I repeat that the outcome that came out in the end was not at all what the husbands had planned. Despite some of them having been married for many years, these men didn’t know these women at all. Unfortunately, this is a rather common state of affairs, regardless of onions.

It didn’t take long for all seven sisters to rendevous at their parents house once again. Their father had to be forcibly disarmed and they had to feed him quite a lot of homebrew before he feel asleep still muttering dire threats that were quite sincere. Their mother was very calm as she announced quietly, “they’ll be sorry.”

“They will indeed,” sighed Ona, “as soon as they figure out that we’ve taken them at their word and we are not coming back.”
“Well, that too,” said their mother, “but I was speaking specifically about the spiders eternally crawling on their skin, the slimy creatures they will keep finding in their under shorts . . .”
“Mother!” cried Oneida, “no spells! Remember just a little while ago, you promised not to cast any more spells?”
Their mother smiled happily at a spider on the ceiling. “They can buy buckets full of Viagra if they want, it won’t do any good. It will never do any good . . .”
Ona patted her mothers hand. “That’s fine Mom. Have at it.” She addressed her sisters, “Well? Where are we going?”
“Away,” said Oni vaguely.
“Far away,” said Onella definitely.
“ . . . a galaxy far, far away,” said Ondrea.
“Yes!” laughed Onyekachukwu. “I get Han Solo.”
“I’m serious,” said Ondrea, softly.
It was suddenly completely silent around the table which held the crumbling remains of an Onion Layer Cake.

The seven men were, indeed, soon very sorry. Though they never told anyone, even each other, about the spiders, slimy things and buckets of useless Viagra, they did openly repent the way they had treated their wives. In their loneliness, they desperately sought after their wives and begged them, again and again, to come home, but it was all in vain.

Ona’s old VW bus had last been seen taking a sharp right at Orion the Hunter. Before too much longer there was a new cluster of stars blazing in the night sky. From out of that cluster, seven stars burned especially brightly; radiant, round and golden, glittering like glistening onions in the dark night sky.

There is a legend that says you should always look straight at those seven spectacular stars they call the Pleiades. You must look at them openly, frankly and honestly. The legend says that if you look directly at them without blinking, you will see colors: Ona in green, Oneida in turquoise, Oni in yellow, Onella in pink, Onora in purple and laughing, giddy Onyekachukwu eternally in orange.

Did you notice anyone missing? Neither did anyone else.

* * * * * * * * * * * * * * * *

This story is for Dilyn
May he always
Be faced
With Only
Fictional
Onions
and for
Micky D.
May he find
Some real one's soon!


©Edwina Peterson Cross


And finally (FINALLY!) a serious poem that happens to have an onion in it. This is a poem I love and it does have onion significance. As my mind reached for those pieces of life ~
average, unexceptional perfection ~ that are really what life IS, the first place it lit was upon the dreaded, glorious pungent bulb. It is my mother's favorite food and, along with water-cress and lemon-lime soda the only thing she could keep down when she was carrying me. Isadora Duncan said her mother could only eat iced oysters and champagne and that was why she was who she was. And I, Dryad Child came the same way, Water Dancing long before movement is "supposed to" be felt . . . Dancing before breath . . .  fed greenly on water-cress, lemon-lime soda and onions.


onion, apricot, adagio, a face turned to the light
so the shadows fall like sighs against the
cracked pavement
candles, chocolate, fingers placing spoons against
rose colored napkins in the shade of an oak tree

such things can be
for beauty’s sake alone

water
still through the rainbows of cut crystal
harp strings
fog settling into the bottom of the valley

I try to remember
Each piece that isn’t pain
Each piece whose average, unexceptional perfection
Might spell salvation

Pink satin slippers
A rosewood pen
The thick wool of a well made hat
Blood on my fingers the color of

Rain


©Edwina Peterson Cross

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Happy Belated Birthday to Zephyr ~ September Breakfast

Posted on Sep 7th, 2008 by Dryad : Coming Home Dryad

Several days late, this is a Natal Day Surprise for Zephyr, whose Birthday comes just after mine. My Daddy used to call me “September Morn” as I was born on the first day of this month, by just a few minutes. I asked my Daddy once, if September 1st was “September Morn” what was September 2nd? He thought about it a minute and then said. “September Breakfast.”

I haven’t ever met anyone before who was born on September Breakfast! Happy Late Birthday Zephyr!

I love the name “Zephyr.” I like winds of all kinds, gales and gusts, and sou’easters, blows an squalls, breezes and headwinds and monsoons and tempests and cross winds (which, obviously, belong to me.)

I think I’ve always liked Breezes and Zephyr’s best, probably because there is something dancing about them. The definition of a Zephyr is a wind that is “refreshing.” Next time you are working hard and think you can’t make it and just when you are about to give up - in comes your “Second Wind”. I like to think of that as a Zephyr too. “I’m ready to go again, I’ve caught my Zephyr and I’m off!”

I have been looking for this poem to share with Zephyr for some time. I had an epiphany in the middle of the night last night and when I got up and looked - there it was! I love those midnight epiphanies.

I wrote this poem for my cousin and best friend Jacque Lynn Bell. Lynn is a professional dancer who has traveled the world exploring, dancing and living deeply. She has recently begun to settle into earth a little for a magnificent new dance. We are the same age, 55, Water-Snakes together, and she is very busy right now mothering three new come breezes ages two, three and five. It is lucky dancing keeps one so young!  As does living life as a refreshing wind, I believe.

I thought this poem would fit for our Zephyr quite well. I know Lynn would recognize another ‘Wind that dares to know itself’ and want to share. 



Zephyr

Sing, soft sun washed wind
Into the hush of a dry grey world
Sing colors to the pale morning sky
Paint the dawn with a reflection of your song
Fresh and new as a cut crystal breeze
Breathe movement into the dark still earth
Whisper the world to dance

Shape each cloud’s feathery flight unique
The twist of each tree it’s own

Every second of foam blown from
The rivers lips
Different from the last
Into a world that would be set as stone
Blows a wind that dares to know itself

Fly free clear streaming singing wind
Taste the corners of the earth
Calling sweet green from a mountain top
Sighing through a jungle rain
Melting into the weave of change
Drinking tomorrow from a cup of joy

Sing . . .
Soft sun washed wind
The beauty of your movement
An exquisite ache
The bracing of your presence
A clean breath of truth
The center of your being
an exhalation
of inspiration
This flat world so needs your song . . .

Sing
   

©Edwina Peterson Cross


Since I was a very little girl, I have loved the poem, “Who Has Seen the Wind?” by Christina Rossetti.
   
WHO HAS SEEN THE WIND ?
 ~ Christina Rossetti ~

ho has seen the wind?
Neither I nor you:
But when the leaves hang trembling
The wind is passing thro'

Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads
The wind is passing by.

I truthfully used to spend hours sitting on my swings staring intently into the back yard, in order to learn how to actually see the wind, as well as the things it dances with. I figured that maybe Christina Rossetti couldn’t see it, but I was going to. Besides, she up and says right in the poem that the guy on 1st has seen it . . . why not me? :-P  I love the winds dance partners, my favorites, of course, being trees, but I also love cloud dancing. This is a little painting I did of a place I love - Lake Dillon in Colorado. After I had finished a fairly placid lake scene - I let the wind dance around with the clouds in a rather unorthodox manner. What do you suppose an orthodox cloud looks like anyway?

Zephry Dance Over Lake Dillion

Who knows where these winds live & what kind of wind they are?
Without looking them up?
WITH looking them up! :-)

Snow Eater
Harmattan
Foehn
Chinook
Samiel or Simoon
Doldrums



Who Has Seen The Wind

This painting that I did to Christina Rossetti's poem is my husband's favorite of all my paintings. Interesting, I think.

Did I get all the way through this without spelling Zephyr wrong?

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Oil Paint and Migraine

Posted on Sep 12th, 2008 by Dryad : Coming Home Dryad

While I have been busy being sick again, I have been playing with a part of my paint program that I don't usually use - the oils. They are slow and hypnotic and give me a visceral feeling that is also almost physical like they are pouring color and smoothing real wet paint somewhere behind my eyes, or in the back of my throat, inside my wrists . . .

I can't paint anything with them yet, really. They are so big and splooshy and I can't control the edges. Maybe I won't ever use them to do my regular painting, but now, while I can't really control the pen anyway, nor concentrate, I am enjoying the colors, the feel, the flowing. It is, as I noted, very much a process rather than product endeavor right now, which is probably exactly what I need.

As I messed with them, I began wondering about the use of space - again. There is a temptation to fill all the space with the beautiful flowing colors. I wondered if I left white, if it should be white paint so that it also had some of the feeling, the texture - or not? Below my very elementary (that's me. Primary. Nursery) squiggling. Right now, it doesn't want to be anything else.

White1

white2


white3

White-paint

How

meditation

chakra1


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I Have a Dream ~ Yes We Can!

Posted on Sep 25th, 2008 by Dryad : Coming Home Dryad

I want to thank Val for this Blog. I wrote most of it in a letter to her and then decided I needed to put it here as well. Thank you Val for the loan of the beautiful picture of Dr. Martin Luther King, Jr., which is headed on in your photos as “One of my Heros.” He is one of mine too. This Blog is about heroes.
 
I Have a Dream

I was walking through Val’s Blog a few days ago when I found one of the best photographs of Dr. Martin Luther King that I have ever seen. The first thing I noticed was just that it is beautiful. It shows his great spirit, as well as a vulnerability you don't often see. I loved this because it reminded me that even though he has become mythic in a way, he was only a man. This makes his incredible vision and accomplishments so much more meaningful. It reminds me of the saying: "If not me? Who? If not now? When?” Dr. King heard those words and not only listened to them, but acted on them. He dedicated his life to them. He gave his life for them.

I have often thought, these past months, how proud and deep heart glad Dr. King would be to see the accomplishments of Barack Obama. No matter what happens in November, Barack Obama has made history, has carried Dr. King's dream farther than anyone in 1963 would have ever dreamed possible. I grew up in a country which still had separate drinking fountains and bathrooms for white and black people. I routinely heard people say things like, “act like a white man” when they meant to be civilized. When children counted out “enee-menee-miney-moe,” it wasn’t a tiger that was caught by the toe. Both my school and my parents taught us that was wrong and when we counted we counted to the tiger. No one else did, however, and when other children heard us doing it, they made fun of us.  I’m not that old, it hasn’t been that long.

I saw an interview with Obama, it was 60 minutes I believe. The Interviewer said that during the Democratic convention there just hadn’t been any mention made of his skin, his color, his race. Barack smiled and said, "I think people noticed." He went on to say that he was very proud to be the first African American candidate to stand in this position, but that it just wasn't't the most important thing. He said, however, that to honor the occasion he had closed his remarks at the convention by quoting from Dr. King. Then he said, "I wouldn't't be here without him."

I also have to note that the Interviewer said “the first black man.” When Obama replied his words were the gender neutral “The first African American candidate.” They always are. A big difference? As an automatic assumption, yes, a very big difference. An indication that hopefully many things can change on an intrinsic level. I have to admit that I smile every time I hear Patrick Stewart’s voice announce the mission of the Star Trek Enterprise “To boldly go where no ONE has gone before.” He sits on the word just a little and I have to love him for it. What difference does it make? Again, a great deal, particularly if you are part of the half of humanity thoughtlessly discounted by the original version.

Things can change. Barack Obama is not just an icon of this change, neither was Dr. Martin Luther King Jr. They are people whose courage and commitment have changed our country, our world for the better. Even if Barack Obama does not win this election, he will have made a huge difference in history and in the future as well. Imagine how much more he will be able to influence our future, which will someday be history, as the President of the United States. Not only because he will be the first African American President, but because of all the other changes he will bring in a time when the United States of America is crucially in need of change. One of the network commentators reported hearing one Delegate at the Democratic Convention say to another: “For all my children and grandchildren. I was here on the day America Changed.” Let the change continue and expand, it is so desperately needed.

This is a poem I wrote quite a while ago. I checked back through my Blog and I have posted it before. Two years ago, on Martin Luther King Day, I put it up with a different feeling than I have today. The “why” the poem asks again and again was still unanswered then, still just hanging there, still aching. I never expected Barack Obama when this poem was written, nor even two years ago when I included it in my Blog here on the day that honors Dr. King. My fifth grade teacher evidently did, however, when he told us, after we had watched Dr. King’s speech: “You have seen the future.” 

President Barack Obama will not answer the "why" of my poem, but he will take us forward towards a time that the question will no longer need to be asked. Maybe, someday, it will only be a sad part of our history and have nothing to do with our present or our future.

Yes We Can!

Skin

When I was very young,
I did not know
that the color of skin
mattered to anyone.
I did not know
that it caused wars
or provoked hatred.
I did not know that skin made
one person look at another
and perceive them as ‘other.’
I did not know that skin was how
some identified ‘brother’ and ‘sister’
“us” as opposed to “them.”
When I was very young
skin was not such an important
thing.

My classmates spoke Hindi, Spanish, Afrikaans,
Arabic, French, British and Brooklynese. They
were Navajo and Japanese; Californian and Canadian;
Iranian, Iraqi and Idahoan. They came from Nigeria,
Nebraska and Nepal; from Austria and Austin; from Turkey and
Toronto, from Salt Lake City, New York City, Mexico City
and the other side of town. Our parents were academicians,
and we were experiments. In our miniature Ivory Tower, we
played. We bickered. We laughed. We whined. We sang.
We danced. We painted. We learned. We created. And skin was not
such an important thing.

                                        ~*~

When I was very young,
the one thing that I did know about skin,
was that my own
was in arrears.
I never thought of my skin
as being any color at all,
I knew only
that it was
not-brown.

I knew that it should be brown,
or should turn brown,
was supposed to become brown,
but that it wasn’t, didn’t, wouldn’t.
The luckiest began that way, the rest
were baked by the long barefoot summers
of childhood slowly to cinnamon,
softly to sepia, leisurely to olive,
but I remained the same. Color below zero,
year-round winter skin, negative pigment,
not-brown

Eternally, either
not-brown
or
blistered scarlet;
screeching fire engine red,
endless nights spent nauseated and crying,
shrouded with wash clothes
that my mother soaked
again, and again in ice water.
The brilliant, burning sun of summer
caught beneath my stretched skin;
trapped and bursting backwards,
rays of scorching, shrieking heat that
seared and sanded every nerve until it screamed.

Once the anguish of the heat had passed,
I was rubbed carefully
With Pacquins lotion and the
viscous goo that oozed
from my mother’s aloe plant,
forced to wear long sleeves
in the sweltering, shimmering summer heat.
During the perilous hours
Between eleven a.m. and two p.m.,
while everyone else swam, skated,
and ran wild under the broiling sun,
I played alone in the long green shade
of the front porch, telling my dolls
in conspiratorial whispers:
“Only mad dogs and Englishmen
go out in the midday sun . . .”

When at last the flaming skin turned
from red to gray, it peeled away
in long, pale strips, which were totally gross,
yet quite fascinating.
For a few days, I was everyone’s favorite,
slightly disgusting, past time.
I peeled, healed, and returned to
not-brown.
Until the next time.

                                 ~*~

And we grew older,
and The Real World besieged
our Ivory Tower’s walls. It screamed from
every newspaper, it shrilled from
the television screen. Socratic Debate, Method of Elenchos,
they taught us with questions. Socratic Method,
Elenchos Debate. They taught us to question.
They explained about segregation. About separate
schools, buses, drinking fountains.
Baffled, we looked at each other and we asked them
“Why?”
They gave us historical facts, they proposed queries
about geographic and cultural parameters, but no one,
no one ever answered that
question.
We learned that the color of skin mattered.
We learned that the color of skin mattered
immensely to some.
We learned that the color of skin mattered
out of proportion, to a degree that was absurd,
to an extent that seemed insane.
Baffled, we looked at each other, we looked
at skin that was
every shade from white to ebony.
None of us were the same color.
We didn't
understand
and we asked them

“Why?”
They gave us cultural facts, they proposed queries about
historic parameters, but no one,
no one ever answered that
question.

                                           ~*~

Not quite as long or as pastoral as childhood’s,
early-adolescent summers were spent ‘Laying Out,”
long brightly colored beech towels
on the hot, slanting shingles of someone’s roof.
We talked about boys, read aloud from magazines,
drank warm coke and slathered each other’s backs
with cocoa butter.
We sprayed our bodies with fine mists
of water and olive oil, flipping ourselves
like burgers on a grill, every fifteen minutes.
Striving, straining, sweltering, sweating, seeking
The Perfect Tan.

Still long before the advent of sun-block
with SPF-Anything, I sat cross legged,
covering my shoulders with another towel.
I wore a big, wide brimmed hat,
I brought an umbrella and everyone laughed.

Aware of my skin now; so aware that I
was on a first name basis with each blemish,
every freckle and flaw.
The perfect 36, 24, 34 that filled my bikini
was in no way perfect, for every inch was
not-brown.
When arms were held out, placed together
to ascertain who had ‘The Best Tan,’
I put my arms behind my back.
“Look how WHITE you are!” they’d exclaim.
Teenagers excel at insensitivity.

And they were wrong.
I looked, and I wasn’t.
I wasn’t white.
I wasn’t any color.

I learned desperate measures.
Using a sun-lamp, I’d burn on purpose,
soak the reddening skin with
apple-cider vinegar, which stung
like a razor’s edge, but produced
the deep, dark, long coveted, positive color:
BROWN.
I smelled like edu du tossed salad and
like Cinderella, I had to be home
by midnight, when the brittle skin would begin
to fissure, crack, flay and peel
often leaving me bleeding underneath.

                                              ~*~

I was born during litigation of Brown vs. the Board of Education.
I began school at my small Ivory Tower the same week that Elizabeth Eckford walked through the doors of Little Rock High School.
On the third day of the fifth grade, Wednesday, August 28th, 1963, on an elsewhere-yet-unheard-of classroom television set, I watched Dr. Martin Luther King give his “I Have a Dream” speech, as it happened. My teacher told us we had seen the future.
Five years later, I watched Dr. King fall to the floor of the balcony where he stood and I knew that he would die.
There was no one else there, so I asked the empty air: “Why?”

Why did he die?
Did he die for the perfumed jungle flowers of Africa?
Did he die for the stench of the Birmingham jail?
Who would take up the sword
the Peaceful Warrior did not carry?
Would anyone remember the purpose of his life?
Or only the reality of his death?
Would they remember the radiance of his vision?
Or only the color of his skin?

And I . . .
Am I who I am because the Nordic sun
dwells cold and dark for months each year?
Does my substance lie hidden in the colorless, frozen Scandic snow?
Does fate hold me bound,
because my ancestors sailed a frigid, ice spumed sea,
instead of dancing beneath a blooming tropic sun?

Who is permitted to speak of beauty?
What face is it allowed to wear?
Has discrimination died or has it rebounded?
Will we ever hear it’s death knell,
Or only an echo of it’s abiding birth?
To whom is The Dream sanctioned?
To whom will it be denied?

And in all the heart of heaven,
Why should it matter?
This color of skin?
Why should it ever have mattered?
Why?

No one,
no one has ever answered that
question.
   
                                           ~*~

        He said my skin was the color of alabaster,
        alabaster filled with moonlight . . .
        and I cried

           

©Edwina Peterson Cross

HELP MAKE 'THE DREAM' COME TRUE. WE ARE AT A CROSS ROADS WHERE WE HAVE THE ABILITY TO TAKE A GIGANTIC STEP FORWARD. IT IS NOT ONLY BECAUSE OF SKIN COLOR, THOUGH THERE IS NO DENYING THIS IS A HUGE, HISTORICAL MOMENT ON THAT FRONT. IT IS BECAUSE OUR COUNTRY IS IN A GREAT DEAL OF DANGER.  IN THE FACE OF THAT DANGER, WE ARE BEING OFFERED A CANDIDATE OF INTELLIGENCE, TENACITY AND, MOST IMPORTANT TO ME, AUTHENTICITY AND ETHICS. EVERY AMERICAN HAS ONE VOTE. EVERY ONE OF THOSE VOTES COUNT. MAKE YOURS COUNT FOR A FUTURE THAT CAN BE SAFE, PRODUCTIVE AND BEAUTIFUL FOR OUR CHILDREN AND OUR GRANDCHILDREN.  LET HISTORY LOOK BACK AND SAY, "THEY DID THEY RIGHT THING."
               

ObamaMama


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